No.16 is full of information. Visually, contextual, and spoken. Here we see The Kitchen, immediately reflecting No.9’s Donner Party mention, and creating a deeper level of fatalism.
Kubrick plays with our perception of space in a Scooby-Doo-esque way, shows products utilizing euphemism and idioms, color, and American History through messaging, and shows how Halloran also has Danny’s ability to communicate mentally.