CULTURAL VISCERA
Focus View · De Natura Sonoris No.12 scenes
Saturday · No.38
De Natura Sonoris No.1 · No.38 · No.38Explore This Scene No.38 →
Image 1 of 2 · De Natura Sonoris No.1 · No.38

Sound

De Natura Sonoris No.1

De Natura Sonoris No.1

No.38

0:002:03

Film excerpts retain the surrounding dialogue, effects and layered music.

No.38, Danny trikes to Grady Girls / WW Hallway

No.66 (which is also layered with Polymorphia), Wendy discovers Jack’s sabotage of the snowcat

The use of this in these scenes creates the feeling of new information being received, but not seeing the whole picture.

Danny is confronted with The Grady Girls and is confused with what information he should be trusting. The viewer is confused.

For No.66, Stainforth and Kubrick layered De Natura Sonoris #1 with Polymorphia to accentuate Wendy’s rising panic.

In this image · No.38

Sound in No.38

Krzysztof Penderecki’s De Natura Sonoris No.1 accompanies No.38. It also returns in No.66, when Wendy discovers that the snowcat has been sabotaged. The repeated music connects Danny’s warning with Wendy’s discovery of a concrete threat to escape.

Full Sound: De Natura Sonoris No.1

No.38, Danny trikes to Grady Girls / WW Hallway

No.66 (which is also layered with Polymorphia), Wendy discovers Jack’s sabotage of the snowcat

The use of this in these scenes creates the feeling of new information being received, but not seeing the whole picture.

Danny is confronted with The Grady Girls and is confused with what information he should be trusting. The viewer is confused.

For No.66, Stainforth and Kubrick layered De Natura Sonoris #1 with Polymorphia to accentuate Wendy’s rising panic.

Research Sources

Christine Lee Gengaro · Listening to Stanley Kubrick: The Music in His Films