Dies Irae
The Credits · No.2
Film excerpts retain the surrounding dialogue, effects and layered music.
Just like compositional reflection and stylistic reflections AND thematic reflections, Kubrick treats sound exactly the same way.
Pieces of music as used to stitch together scenes and concepts. Certain pieces of music as cut off and then expanded later on as an extension of a previous scene.
Sound is treated exactly the same as dialogue and imagery within The Shining.
Sound Reflection as Scene Reflection
This film’s sound (or silence) needs to treated much like dialogue, visuals, and composition. Sound creates structure, connection, and completion.
The work I’m referencing here is pulled from Christine Gengaro’s Listening To Kubrick”.
In this image · No.2
Dies Irae, a Roman Catholic chant. was sourced by Wendy Carlos when Kubrick asked her to provide music that reminded her of “graves and death”
American History Narrative
Ghost Story Narrative
Full Sound: Sound Reflection
Just like compositional reflection and stylistic reflections AND thematic reflections, Kubrick treats sound exactly the same way.
Pieces of music as used to stitch together scenes and concepts. Certain pieces of music as cut off and then expanded later on as an extension of a previous scene.
Sound is treated exactly the same as dialogue and imagery within The Shining.
Sound Reflection as Scene Reflection
This film’s sound (or silence) needs to treated much like dialogue, visuals, and composition. Sound creates structure, connection, and completion.
The work I’m referencing here is pulled from Christine Gengaro’s Listening To Kubrick”.